Yann Keller programmiert in PD und supercollider wo er den Computer in einen labilen aber dadurch rezeptiven Chaoszustand bringt. Durch das Instrumentarium beeinflusst er die vorprogrammierten chaotischen Zufallsgeneratoren im Computer.  Der Tapeman

Hecate There is no greater single force of personality in the scene than Hecate, the founder of the fiercely independent Zhark International label and creator of 10 year's worth of "the most destroyed and blasphemous electronic beat fuckery". Her sound is a dark, almost alchemic hybrid of blistering, stuttering breaks, power noise, and Eastern influences, and she has collaborated with numerous artists from across both the breakcore and the Satanic, Black, and Death metal scenes.
Hecate born Rachael Kozak and currently living in Basel, Switzerland is keenly aware of status as a female label owner and artist in a male-dominated scene; sex is a major theme in her work, along with death and the occult. One of the most extreme examples of Hecate's aesthetic is Nymphomatriarch, an album made entirely out of recordings of herself and Venetian Snares having sex on their two-week tour in 2003.
If you're getting the idea that Kozak is the scene's ultimate provocateur, you're not half wrong. But for all itâ's blatant shock value, Nymphomatriarch, like all her releases, is still highly emotional, dark music that kicks ass, blowing everyone else away for raw complexity and energy. Hecate is clearly a force to be reckoned with, a claim recently reinforced by the April release of her Brew Hideous (Sublight/Hymen) album.
Taken from the Summer issue of XLR8R